According to the story, there is a man sitting on the floor looking to have peace of mind. There is some more symbolic meaning to peace, expressed by a hanging flower, while from the very beginning, he is serving, as shown by a kettle.

The artwork engages themes of identity, displacement, and self-search. Aksanti B., 2003, is a Congolese refugee artist based in Kampala; his work explores his life as a young refugee male who steps off his like, trying to make meaning with the space he interacts with and the people he meets. He shapes his dream with one brush stroke at a time. His work was exhibited at the UN headquarters in Geneva, Switzerland. 

Injection captures the haunting memories of innocent lives marred by exploitation and betrayal. This piece confronts the pain inflicted on those who, often through no fault of their own, become targets of harm—while those entrusted with their protection remain indifferent, or worse, become perpetrators themselves. With this work, I aim to spotlight the silent suffering of the vulnerable and challenge viewers to consider the unspoken cries of those who have been wronged. Injection is a call to acknowledge and confront this complicity, to recognize the shadows of betrayal that deepen their pain, and to amplify their voices in pursuit of justice.

Life and Me delves into the intimate journey of resilience and self-reliance, capturing the grit and inner strength that propel us forward regardless of the weight of our past or the uncertainty of our present. This track confronts the universal quest for hope, echoing the expectation others often hold of us—how far we’ll go, how unyielding we’ll be. But at its core, Life and Me is a declaration: the recognition that salvation lies within. We are, ultimately, the heroes we seek, capable of shaping our own destinies and confronting life’s trials with unwavering resolve.

The artwork engages themes of identity, displacement, and self-search. Aksanti B., 2003, is a Congolese refugee artist based in Kampala; his work explores his life as a young refugee male who steps off his like, trying to make meaning with the space he interacts with and the people he meets. He shapes his dream with one brush stroke at a time. His work was exhibited at the UN headquarters in Geneva, Switzerland. 

Redeemed from the problems, the pain, and the struggle; thus, the hug would show the love and appreciation for a new lovely friend—the cat.

Reflection captures the way our communities shape us and how we, in turn, mirror them. It delves into the layers of identity formed by the places we inhabit and the people we encounter. Through this work, I explore how our experiences—both uplifting and challenging—forge our resilience, highlighting the dynamic relationship between self and society. This piece speaks to the subtle yet profound ways that our surroundings etch themselves onto us, leaving imprints of shared life and personal growth.